{"id":511,"date":"2020-07-20T09:35:09","date_gmt":"2020-07-20T07:35:09","guid":{"rendered":"https:\/\/parismeisnerstudio.fr\/meisner-coaching-systemique\/"},"modified":"2024-05-15T19:08:58","modified_gmt":"2024-05-15T17:08:58","slug":"meisner-coaching-systemique-8","status":"publish","type":"page","link":"https:\/\/parismeisner.studio\/en\/meisner-coaching-systemique-8\/","title":{"rendered":"Meisner & systemic coaching"},"content":{"rendered":"

MEISNER & SYSTEMIC COACHING<\/p>\n

MEISNER & SYSTEMIC COACHING<\/h1>\n

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with Octave KARALIEVITCH<\/h5>\n

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Unlock your acting by exploring the Meisner technique and its links to systemic tools for change, in a playful and supportive environment.
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THE MEISNER TECHNIQUE
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The Meisner technique is a liberating approach to acting created by one of the first teachers of the Actors Studio, Sanford MEISNER.<\/p>\n

For Meisner,
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“Acting is the ability to live sincerely in a given set of imaginary circumstances.”
\nSanford Meisner<\/p>\n

The first part of the work consists in learning to “live sincerely”, by allowing ourselves to get rid, in public, of the reflexive social conditioning that limits us in our true expression.<\/p>\n

The second part is to work on the “imaginary circumstances” and how they affect us, so that our spontaneous expression can correspond to a desired outcome (which may change depending on the director’s directions).<\/p>\n

These two parts will be covered in the first classes, where you will explore gradual approaches to the technique from the first exercises to working on filmed scenes each term. No special experience is required to join them, as there will never be any question of “playing” in the traditional sense.<\/p>\n

Among other things, the Meisner technique gives the actor a rare spontaneity, and answers a problem that Chekhov pointed out to Stanislavski: “Your actors play well, but it seems that they know what is going to happen in advance.<\/p>\n

The exercises are supervised by Octave KARALIEVITCH<\/a>, director of the Paris Meisner Studio, where he has developed a global approach to acting alongside the world’s best teachers of this technique.<\/p>\n

This work was thought in connection with the American tools of change in coaching and therapy (NLP, Ericksonian Hypnosis…) to which he is also trained.
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“An actor must learn to do consciously what everyone else does unconsciously.”
\nSanford Meisner<\/p>\n

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THE PROGRAM
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This new program is based on the discovery of the different approaches to the exercise of repetition as they are taught in the world, by specifying the function of the rules of the exercises and their consequences on the work.<\/p>\n

Imagination is then explored, in relation to Ericksonian Hypnosis, NLP, as well as psychological and neuroscientific research, and according to each individual’s own processes.<\/p>\n

This curriculum also involves clarifying the links between each stage of the work, the richness of the different exercises and the way to approach rehearsals outside of class (see “INCLUDED” below).<\/p>\n

In keeping with the Socratic teachings of Sanford Meisner, and similar to Milton Erickson’s approach to change, it is always based on one’s own practice that the theory can be established.<\/p>\n

Links are made, as they occur, to various tools of change to enable students to clarify, deepen, and accelerate this process of self-exploration in a way that is, in keeping with Sanford Meisner’s teaching principles, tailored to the individual student.
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“To be an interesting actor – what am I saying, an interesting human being! – you have to be authentic, and to be authentic, you have to accept who you really are, warts and all. Do you have any idea how liberating that is, not caring what people think of you? Hell, that’s what we’re going to do here.”
\nSanford Meisner<\/p>\n

REGISTRATION
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“If someone is teaching you something and you don’t understand what they are talking about, neither do they.”
\nSanford Meisner<\/p>\n

TESTIMONIALS<\/h2>\n

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INCLUDES:<\/h3>\n

French course with Octave KARALIEVITCH<\/a>the 3 approaches to the rehearsal exercise as they have been developed around the world, with the different possible “rules of the game” and their consequences a training program for continuing to work outside of class and the establishment of rituals for the actorphysical impulses and the work of the 3 momentsemotions and the connection with the body and meditationviews and The grouping of the 3 approaches and their links to the rest of the workEvolutionary psychology and the consequences on the audience’s attention and the actor’s instrumentThe “as if” framework from Stanislavski to Meisner via NLP; the different possible applications for the work, from the rehearsal exercise to the particularization for the work of the textthe “faith of the actor” for Meisner and the taking into account of the given circumstancesthe work of the independent activity and the exploration of the essential values with NLPthe beginning of the links with the human activities and the analysis of text in Meisnerthe advanced work of the points of view for the adaptation of the technique to the directions of actorsthe techniques of writing and imagination to stimulate the suggestibility of the actor and the exploration of the imaginary circumstancesthe contributions of NLP, individualized recommendations for each participantaccess to rehearsal groups and pedagogical appendices to continue the practice outside of class independently<\/p>\n

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OCTAVE KARALIEVITCH<\/h3>\n

After studying science (mathematics and physics in preparatory classes, then philosophy of science and knowledge), Octave turned to psychology and cognitive science, and became interested in research in 3 areas in particular: creativity, education and therapy. Interested in personal development and liberation processes, he also trained in contemporary “brief therapy” and coaching tools such as NLP and Ericksonian Hypnosis, of which he is a Master Practitioner certified by the Society of NLP.Retraining as an actor, he discovered numerous Russian and American techniques (including Constantin STANISLAVSKI, Stella ADLER, Sanford MEISNER, Lee STRASBERG, Eric MORRIS…) and it was the Meisner technique that particularly caught his attention, beyond the unexpected sincerity it confers on the actor, for its wholesomeness, playfulness and simplicity.Noting from the outset the links with his earlier fields of study, he also became aware of the variety of its approaches around the world. He then set up the Paris Meisner Studio to bring qualified teachers to Paris, so that he could continue to train in the right way, while exploring complementary aspects of the technique, its history and evolution. In seeking to perfect the understanding of the Meisner technique for himself and other students, he set up a novel system of research and development, of which the Meisner & Systemic Coaching program is the culmination.Alongside his teaching and directing activities at the school, Octave continues to train in various related fields to enrich this research, including a 5-year Gestalt therapist course at the EPG, a certified trainer course and training in Brad Blanton’s Radical Honesty tools (derived from Gestalt therapy and Ericksonian hypnosis, and aligned with the development of the Meisner technique’s point-of-view work).As well as traditional meditation techniques and Buddhist systems of mind-body connection, particularly Vipassana.<\/p>\n

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MEISNER & SYSTEMIC COACHING MEISNER & SYSTEMIC COACHING   with Octave KARALIEVITCH center no-repeat;left top;; auto Unlock your acting by exploring the Meisner technique and its [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"footnotes":""},"yoast_head":"\nMeisner & systemic coaching | Paris Meisner Studio - History of Acting<\/title>\n<meta name=\"description\" content=\"3rd and last part of our pedagogical story: our developments of the Sanford Meisner playing technique.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/parismeisner.studio\/en\/meisner-coaching-systemique-8\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meisner & systemic coaching\" \/>\n<meta property=\"og:description\" content=\"3rd and last part of our pedagogical story: our developments of the Sanford Meisner playing technique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/parismeisner.studio\/en\/meisner-coaching-systemique-8\/\" \/>\n<meta property=\"og:site_name\" content=\"Paris Meisner Studio\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parismeisnerstudio\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-15T17:08:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/parismeisnerstudio.fr\/wp-content\/uploads\/2021\/08\/DSC05819--scaled.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/parismeisner.studio\/en\/meisner-coaching-systemique-8\/\",\"url\":\"https:\/\/parismeisner.studio\/en\/meisner-coaching-systemique-8\/\",\"name\":\"Meisner & systemic coaching | Paris Meisner Studio - 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